About Meet our contributors
Georg Predota

For some reason, bios always follow a predictable and rather boring format. Dr. Georg A. Predota holds degrees from blah, blah, blah, and university appointments from blah, blah, blah. His research interests and extensive publication record include blah, blah, blah and blah. By now, you are undoubtedly fast asleep! While these scholarly pursuits and achievement certainly exude a veneer of knowledge and authority—probably better call it perspective—they have no way of adequately capturing the enourmous sphere of human activities related to music that are of keen interest to me. What I can offer is an insatiable appetite for anything related to music, a blazing curiosity that is looking beyond agendas, attitudes and platitudes, the power and experience of razor-sharp observation and differentiation, and a smoldering passion for sharing my thoughts with those interested. Of course, if you’d like to see my professional qualifications, I’ll be happy to send you my CV.

Contributed Posts
Oct 29, 2013 Nostitzsches Nationaltheater
Oct 27, 2013 Giovanni Battista Pergolesi: Stabat Mater dolorosa (c. 1736)
Oct 25, 2013 Your Music Stinks!
Poulenc and the Parisian Conservatory
Oct 22, 2013 Mechanical Mozart!
Oct 20, 2013 An inconvenient proposal!
Francis Poulenc and Raymonde Linossier
Oct 18, 2013 Horatio Parker
Oct 13, 2013 When the Symphony Embraces the Concerto
Brahms: Piano Concerto No. 2, Op. 83
Oct 10, 2013 Vincenzo Galilei: Reshaping the Sonic Universe
Oct 8, 2013 From Russia with a Cello
Britten, Shostakovich, Rostropovich
Oct 6, 2013 A life of the two of us!
Britten and Pears II