About Meet our contributors
Anson Yeung

Born in Hong Kong, Anson graduated from St. Paul’s Co-educational College and is currently a medical student at the University of Hong Kong. A holder of Licentiate of Trinity College London in Piano Performance with Distinction, Anson plays the piano, organ and double bass and has an eclectic range of interests in classical music, ranging from Baroque music to contemporary music. Since 2015, he has been writing reviews and articles for both Interlude and International Association of Theatre Critics. Music has been an inseparable part of his life and a treasure that he would always cherish. Anson is pleased to be a contributor of Interlude, to share his love for music and to explore the endless possibilities of music.

Contributed Posts
Mar 8, 2019 Brahms and His Late Piano Works
Intermezzi Op.117
Feb 16, 2019 Brahms and His Late Piano Works
Fantasien Op.116
Nov 7, 2018 Schumann-Liszt Widmung
Oct 12, 2018 Classical Music for All
Aug 27, 2018 Im Klang – In the Middle of the Sound
Jun 23, 2018 Grigory Sokolov in Helsinki
May 24, 2018 Contemporary Music in Hong Kong
Oct 6, 2017 Scriabin’s Prometheus and his Religious & Artistic Beliefs
May 29, 2015 Mozart & Shostakovich
A Review by Yeung Man Lok Anson