About Meet our contributors
Anson Yeung

Born in Hong Kong, Anson is currently studying medicine at the University of Hong Kong. A holder of Licentiate of Trinity College London in Piano Performance with Distinction, Anson plays the piano, organ and double bass and has an eclectic range of interests in classical music, ranging from Baroque to contemporary music. Since the age of 14, he has been writing reviews and articles for Interlude and the International Association of Theatre Critics (Hong Kong). He has also been invited to review newly released albums for RTHK Radio 4’s Music Insider.

Music has been an inseparable part of his life and a treasure that he will always cherish. Anson is pleased to be a contributor of Interlude, to share his love for music and to explore the endless possibilities of music.

Contributed Posts
Jun 5, 2019 Brahms and His Late Piano Works
Klavierstücke Op.119
Mar 22, 2019 Brahms and His Late Piano Works
Klavierstücke Op.118
Mar 8, 2019 Brahms and His Late Piano Works
Intermezzi Op.117
Feb 16, 2019 Brahms and His Late Piano Works
Fantasien Op.116
Nov 7, 2018 Schumann-Liszt Widmung
Oct 12, 2018 Classical Music for All
Aug 27, 2018 Im Klang – In the Middle of the Sound
Jun 23, 2018 Grigory Sokolov in Helsinki
May 24, 2018 Contemporary Music in Hong Kong
Oct 6, 2017 Scriabin’s Prometheus and his Religious & Artistic Beliefs