About Meet our contributors
Anson Yeung

Born in Hong Kong, Anson graduated from the University of Hong Kong with a medical degree and a master’s degree in cancer research. A holder of Licentiate of Trinity College London in Piano Performance with Distinction, Anson plays the piano, organ and double bass and has an eclectic range of interests in classical music, ranging from Baroque to contemporary music. Since the age of 14, he has been writing reviews and articles for Interlude and the International Association of Theatre Critics (Hong Kong). He has also been invited to review newly released albums for RTHK Radio 4’s Music Insider.

Music has been an inseparable part of his life and a treasure that he will always cherish. Anson is pleased to be a contributor of Interlude, to share his love for music and to explore the endless possibilities of music.

Contributed Posts
Jul 9, 2021 Kit Armstrong’s Byrd & Bull – Lucid Yet Restrained Playing
Jul 5, 2021 Forgotten Pianists: Jorge Bolet
Jun 3, 2021 Pianist Rachel Cheung Dazzles the Audience With Her Artistry and Poetry
May 7, 2021 Review: Niu Niu’s Fate & Hope
Apr 24, 2021 Rediscovering Clichés in Classical Music
Apr 10, 2021 Forgotten Pianists: Sergio Fiorentino
Mar 12, 2021 Forgotten Pianists: Rafael Orozco
Feb 19, 2021 Benjamin Grosvenor’s Liszt Album – A Fine Combination of Artistry and Virtuosity
Jan 6, 2021 Lang Lang’s Goldberg Variations – Original or Sacrilegious?
Jan 3, 2021 Chloe Chua — More Than an “Ordinary” Wunderkind