It has been said that the total royalties George Gershwin accrued from performances of “Summertime” from his opera Porgy and Bess are equivalent to the Argentine national debt. Whether there is any truth to that anecdote or not, Gershwin was

George Gershwin started on Broadway and finished on the opera stage. Along the way, he wrote the music that seemed to define the spark and light of the early American 20th century. The roaring 20s and Gershwin’s magic were brought

When George Gershwin made his way to Paris in 1926 he was looking to expand his musical horizon by taking lessons with Maurice Ravel. Ravel excused himself under the pretense of not “wanting to spoil Gershwin’s musical voice,” and he

From Bach onward, the idea of a cycle of preludes has intrigued composer. George Gershwin (1898-1937) took up the task of writing an intended 24, only completed 6 and only published 3.

There are a number of celebrated anecdotes going around that George Gershwin habitually asked famous composers to give him lessons. Apparently he wanted composition lessons from Edgard Varèse, leader of the New York musical avant-garde. Although Varèse acknowledged Gershwin’s talent,

However you’d like to look at it, George Gershwin was unique! Freely mixing and combining classical and popular music styles, his works have been heralded as representing “an exciting new American musical art.” Yet when it came to Porgy and

For many people, Vincent Minnelli’s film An American in Paris, presents a number of perfections: the perfect Paris, the perfect music, and the perfect lyrics. Starting with the program music of An American in Paris, the orchestra work, Alan Jay

“Minors of the Majors” invites you to discover compositions by the great classical composers that for one reason or another have not reached the musical mainstream. Please enjoy, and keep listening!