Maurice Ravel: Pavane pour une infante défunte, (Maurice Ravel, piano)
Maurice Ravel: Miroirs, “Alborado del Gracioso”
Winnaretta’s salon was a vehicle for the channeling of art patronage, based on a negotiated symbiosis between social and artistic elites. Music played at her salons, much of it specifically written to be played there, marked the occasion and the assembled company as culturally elite. “Because of the salon’s central position in the lives of the nobility and upper classes, these society elites were in the position to contribute directly to the development of culture through their activities, beliefs, and opinions by acting as arbiters of taste in etiquette, language, philosophy, literature, the arts, and politics.” Winnaretta’s salon received glowing reports in the contemporary press, with Le Figaro writing, “Her salons, which are among the most sought-out in Paris, where art is cultivated with the greatest zeal and discernment, have many times opened their doors for exquisite diversions; last night’s counted among the most delectable.” In fact, Le Figaro specifically alluded to a January 1909 salon, which featured Debussy’s Fêtes galantes, Les Ingenues, Le Colloque sentimental and Estampes, Fauré’s Le Secret, Liszt’s Jeux d’eau de la ville d’Este and the premiere of Ravel’s “Ondine” from Gaspard de la nuit.
Maurice Ravel: Gaspard de la nuit, “Ondine”
Winnaretta’s salon was a place where professional connections and friendships could be made, and where it was possible to be exposed to the most modern trends in music and the other arts. And that is exactly how the collaboration between Ravel and the French writer Colette got started. The result of the collaboration resulted in one of Ravel’s most popular staged works, the fantasy-ballet L’Enfant et les sortileges. It took Colette only 8 days to finish the libretto, but Ravel, interrupted by his military service in the First World War, took the better part of 5 years to finish the music. The premiere took place on 21 March 1925 in Monte Carlo, and Winnaretta recorded in her diary, “it’s exquisite, and the success was very great.” Maurice Ravel famously wrote, “All of life’s pleasure consists of getting a little closer to perfection, and expressing life’s mysterious thrill a little better.” Clearly, Ravel had to thank the Princesse de Polignac to make all this possible!
Maurice Ravel: L’Enfant et les sortileges, excerpt