Three years ago, bel canto scholar and tenor Kenneth Querns Langley started working on the idea of a Bel Canto Festival and it came to fruition last year. This year will be the second Festival, built around the participation of

Starting in 2016, the ‘Festival du Bruit qui Pense’, founded by pianist Ingmar Lazar, started on its unique journey. Mr. Lazar’s vision rested on the communication between the arts. Over the three days of his upcoming festival (March 23-24-25), there

The Salzburg music festival’s new director Markus Hinterhaeuser boldly outlined the motto of this year’s program as ‘power’: “strategies of power, its disgraces and horrors, but also with the ability to forgive.” With this bold declaration Hinterhaeuser possibly tried to

There was little to commend the new production of Mozart’s Don Giovanni at the Aix-en-Provence Festival 2017. The stage set lacked any recognizable theme, and the intermittently raised and dropped metallic curtains offered no discernible purpose. Ditto on the costumes

It’s hard to justify the arduous trip to Pesaro. The unremarkable town on Italy’s Adriatic coast has poor train connections, it’s a dull two hour car ride from Bologna, and the nearest airport is Ancona Falconara, a run-down and inefficient

A tacky Italian beach resort in the heat of the summer holiday and a moderately quaint old town with a strong operatic tradition make an odd contrast. Yet Gioachino Rossini’s hometown, Pesaro on the Adriatic, hosts a longstanding opera festival

Every now and then the Salzburg Festival puts on a performance of such perfection, we are reminded how this festival became the leading operatic summer event in Europe. This year’s new production of Mozart’s Nozze di Figaro (Marriage of Figaro)

A highlight of this year’s Salzburg Festival was a new production of Beethoven’s only opera, Fidelio. It was largely deemed a vehicle to show off leading German tenor Jonas Kaufmann at his vocal and artistic zenith. And indeed, he did