Sophie Dartigalongue personifies the fact that you shouldn’t judge a book by its cover. The bassoon often becomes the butt of many of the orchestra’s jokes, and the comical contrabassoon only sees a double serving of this teasing, but the

Agonies and Ecstasy! What happens when new neural connections within your brain break down the boundaries that normally exist between the senses? For one, hearing a particular musical note might cause you to see a particular color, or you may

Irony and Parody became key moments in German modernism. But parody and irony are not identical. While irony might be described as a strategy, most successful parodies derive their effect from the comic incongruity between the original and its parody.

I was at a concert the other evening where the opening work was Schubert’s Fantasia for Piano 4-hands. Two pianists, sitting side by side, at one piano performed one of Schubert’s greatest pieces. The two pianists angled their benches carefully

Aren’t you just sick and tired of lazy and unimaginative programming justified by the eternal excuse, “I am just giving my audience what they want to hear!”

We forget how much the English contributed to the beauty of orchestral music through their lush pastoral string writing. And the Bridge is Love, a new recording by the English Chamber Orchestra led by Julian Lloyd-Webber, brings all of this