In essence

1705 Posts
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Musical Hunts II
The hunting profession—something we call “Wildlife management” in the 21st century—has long helped to maintain a population of healthy animals within an environment’s ecological capacity. Controlling the wildlife and predator population was of particular importance in the densely forested regions
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Salon Culture in St. Petersburg
God Save the Tsar
The city of St. Petersburg, also known as Petrograd, Peterburg and Leningrad stood at the forefront of Russian musical culture. Established in 1703, the city flourished under Peter the Great, and the role of art and music assumed national significance.
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Katharina Cibbini-Koželuch: Friends with Beethoven
When Leopold Koželuch arrived in Vienna to follow his musical calling, he immediately understood that being a capable musician and composer was not enough to really get ahead.
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Mapping the Musical Genome
The Stamitz Family
When families migrate across linguistic borders, their names frequently undergo a number of significant changes. Just take the Stamitz family, an extended and highly active Bohemian group of musicians, as an example. The spelling of their family name in contemporary
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A Riddle Motet or what was Ghiselin Danckerts up to?
We have a motet by the Dutch composer Ghiselin Danckerts (ca. 1510-1567) that has caused much puzzlement over the years. Originally published in 1535, but now lost, Danckerts’ motet Ave maris stella (Hail, star of the sea), was reprinted and
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Musical Hunts
For most of human history, hunting meant survival! As such, it’s hardly surprising that civilizations throughout the ages held gods and goddesses associated with the hunt in particularly high regard. Artemis, the daughter of Zeus was the Greek goddess of
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Rachmaninoff’s Symphonic Dances: A Dance for Death
In the summer of 1939, Sergei Rachmaninoff (1873-1943) left England for America to avoid the omnipresent threat of war. He had had a successful career in the US, touring as concert pianist, but now he was ill and tired. The
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Leopold Koželuch (1747-1818): A Fortepiano Pioneer
The great musicological explorer Dr. Charles Burney writes glowingly in his General History of Music of 1789; “An admirable young composer of Vienna, whose works were first made known in England by the neat and accurate execution of Mademoiselle Paradis
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