In essence

1705 Posts
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Gershwin’s Preludes
From Bach onward, the idea of a cycle of preludes has intrigued composer. George Gershwin (1898-1937) took up the task of writing an intended 24, only completed 6 and only published 3.
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Mapping the Musical Genome
The Mason Family
It’s not an exaggeration to declare that the Mason family decidedly and uniquely contributed to American music during the 19th and early 20th centuries. The patriarch Lowell Mason (1792-1872) was a significant composer of church music, including many original hymns.
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Chausson and a Symphonic Love Story
Another composer who gave up his father’s dream that he become a lawyer, the French composer Ernest Chausson (1855-1899) completed his studies, was admitted to the bar, but found writing, drawing, and especially composition much more to his liking. In
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For Children and for Everyone: Fauré’s Dolly Suite
Gabriel Fauré didn’t like giving his works revealing names. He once said that he’d rather name every work ‘Piano Piece No. …’ than commit to a name. Commercialization in the person of his publisher defeated him and so we have
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Salon Culture in St. Petersburg III
The Belyayev Circle
Mitrofan Petrovich Belyayev (1836-1904) was the son of a highly affluent timber merchant. Educated at the German-speaking Reform School in St. Petersburg, he took lessons in piano, violin and viol. At the age of 15, Belyayev joined his father’s booming
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Stretching the Etude: Alkan’s Remarkable Op. 39
The trouble is that what most people know about the composer Charles-Valentin Alkan (1813-1888) is about how he died, rather much about his music. And even the story about his death isn’t true.
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Salon Culture in St. Petersburg II
From Glinka to Anton Rubinstein
The orientalist and journalist Osip Senkovsky (1800-1858) prolifically published articles on topics ranging from Chinese, Mongolian and Tibetan languages, to mathematics and medicine. Under the pen name “Baron Brambeus” he issued a series of fantastic voyages, including one to the
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Souvenir de Tchaikovsky
Chamber Music for Body and Soul
Pyotr Ilyich Tchaikovsky (1840-1893) was trained within a conservatory tradition that emphasized Western compositional techniques and expressions. As such, we would expect to find a multitude of intimate works for small ensembles. In reality, however, his published chamber output is
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