In April 1919, Gabriel Fauré’s Masques et Bergamasques, a comédie musicale, with a libretto by René Fauchois, had its debut at the Opéra de Monte-Carlo. From its very title, the influence of Italian commedia dell’arte, French music, and pastoral art

During his studies with Nadia Boulanger in Paris, American composer Aaron Copland (1900-1990) met France’s most important composers, including Saint-Saëns and Fauré. Once he had returned to America, Copland became an outspoken champion and advocate of Fauré’s music. He writes,

For the vast majority of his life, Gabriel Fauré (1845-1924) was “a man easily satisfied, happy with his friends and colleagues, lacking the taint of ruthless ambition and egotistical self-promotion characteristic of so many, and without the pretension and hollow

We know the ‘barcarolle’ most famously from Offenbach’s Les contes d’Hoffmann, but relatively few other composers picked up on it. In Offenbach’s opera, the barcarolle, ‘Belle nuit, ô nuit d’amour’ (Beautiful night, oh night of love) opens Act III where

Her affair with Debussy resulted in a scandal that split the Parisian music world apart – and almost led to the death of Debussy’s first wife. Today we’re looking at the life of Emma Bardac-Debussy: singer, legendary conversationalist, wife, mother,

When I was a little girl, I heard Gabriel Fauré’s famous Pavane in an arrangement for two pianos on a classical music compilation disc. From the very first notes, I was taken by its elegant restraint. I listened to the

Gabriel Fauré was born on 12 May 1845 in the small town of Pamiers, in the department of Ariège, in the south of France. He was the youngest of six children born to Toussaint-Honoré Fauré (1810–85) and Marie-Antoinette-Hélène Lalène-Laprade (1809–87),

Once he had reached the age of 75, Gabriel Fauré retired as head of the Paris Conservatoire in October 1920. He was excited to finally have the time to devote himself entirely to composition, and “produced a series of works