In essence

1707 Posts
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A New Set of Planets
Piano Reflections by Tanya Ekanayaka
Conceived of and finished during the global COVID-19 pandemic, The Planets and Humanity is Sri-Lankan–British composer Tanya Ekanayaka’s reflections on ancient music in a modern world. She says ‘I see a uniquely powerful and delicate congruence between ancient music which
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Music Inspired by the Tiger
The year of the Tiger is coming! Tigers are courageous and competitive. According to the Chinese zodiac, tiger people have strong personalities who like to fight for themselves, but they can also be friendly and generous. How about classical music
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Three Minute Symphonies: Milhaud’s Chamber Symphonies
Written in an unusual small format, and with only three movements, the Chamber Symphonies of Darius Milhaud (1892-1974) are perfect pocket symphonies. Begun while he was in Brazil in 1917, while he was serving as the secretary to Paul Claudel,
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Satie Discovers Ragtime
Although we associate ragtime music with composers such as Scott Joplin and Joseph Lamb, we rarely consider what effect this new musical style might have had internationally. Through performers such as Jelly Roll Morton and band leaders such as W.C.
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Welcome to the Year of the Water Tiger
Gong Hei Fat Choy
In the twelve-year cycle of animals that appear in the Chinese zodiac, the mighty tiger surprisingly only comes in as number three. When the Jade Emperor invited all the animals of the world to take part in a race, the
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Looking From the Inside Out: Self-Portraits in Music
Couperin, Poulenc, Thomson, and Ligeti
How does a composer look at himself? In these works, covering some 400 years, we’ll see composers’ self-portraits in music and try to discern how they saw themselves. Seeing himself in an allemande rhythm, the French composer François Couperin (1668-1733)
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A Lost World: Bax’ The Happy Forest
With a title that sounds rather like a children’s story, The Happy Forest by Arnold Bax (1883-1953) sprang from a prose poem by the British theatrical writer Herbert Farjeon. This appeared in the quarterly magazine Orpheus, which was edited by
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Chopin and His Circle of Friends II
Chopin did not gain an international reputation as a composer until 1833. And while his reception was generally positive, he certainly had his detractors. The influential editor and critic Ludwig Rellstab writes, “In his dances the author satisfies the passion
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