In essence

1679 Posts
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Jean Sibelius: Finlandia
Music can be an all-consuming passion that serves as a daily spiritual and physical exercise. Jean Sibelius (1865-1957) certainly thought that way, as “music grasped me with a power that rapidly relegated all my other interests to the background.” Initially,
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A Nordic Fairytale
Jean Sibelius and Aino Järnefelt
At age 23, Jean Sibelius “was pale and good-looking, slender and sensitive. He seemed to all a strange and attractive being. And of course, we were all in love with him…And he was lovable. Refined, attractive, polite, he had that
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Muses and Musings
Edvard Grieg and Teresina Tua
“To all appearances,” Edvard Grieg wrote in 1882,”I am living a more peaceful life than ever before, but in reality it is a life full of inward struggle. I am both spiritually and bodily unwell and decide every other day
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Violent and Unnatural Deaths in Opera II
In general, weddings tend to be rather happy occasions. This was certainly true, at least initially, for Orfeo and Euridice. The master musician and the most radiant beauty of the ancient world were passionately in love. But on the wedding
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Voices of the Central Conservatory of Music in Beijing I
Although a relatively young institution, the Central Conservatory of Music in Beijing has seen its fair share of highly talented composers. Founded in 1950, the department of composition—for better or for worse—has been the cornerstone of its academic endeavours. Guo
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Bohuslav Martinů: In search of his musical voice
Bohuslav Martinů composed a large quantity of music in various styles and forms, but according to the composer “in pure chamber music I am always more myself.” His first Piano Trio, nicknamed “Cinq pièces brèves” spontaneously emerged in Paris in
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Beethoven: Cello Sonata No. 5 in D major, Op. 102 No.2
The year 1812 marked a turning point in Beethoven life. He consistently experienced poor health, emotional stress and lived in great financial anxiety. He spent considerable time at the spas in Teplitz, Karlsbad and Franzensbrunn, and in September he wrote
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Carmen Fantasy
Opera dominated the musical life of most European cities in the nineteenth century. People from all social classes could participate in the theatrical form by simply buying a ticket. In lavish settings, audiences marveled at singers and musicians combining text,
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