Prokofiev

10 Posts
Little Impressionist Worlds – Prokofiev’s Visions Fugitives
Sergei Prokofiev (1891-1953) started experimenting with a number of short piano works in 1915, completed them in 1917, and gave them their first public performance on 15 April 1918 in Petrograd/St. Petersburg. At a private performance some months before, the
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Prokofiev: Symphony No. 7
Premiered Today in 1952
In 1952, one year before his death, Sergei Prokofiev was financially broke. The Soviet government had condemned his Symphony No. 6 a couple of years earlier, and the composer was stripped of his reputation and of his state pension. Trying
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Prokofiev: Piano Concerto No. 1
Premiered Today in 1912
Sergei Prokofiev was still a student at the St. Petersburg Conservatory when he took the stage on 7 August 1912 to premier his 1st Piano Concerto. Since it was his first appearance with an orchestra, and expecting a rather large
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Anatoly Lunacharsky:More than the saviour of Sergei Prokofiev
Sergei Prokofiev, one of the greatest composers of Russia, would never forget that day after the Revolution. He left Russia with the official blessing and warning of the Soviet Minister Anatoly Lunacharsky: “You are running away from events, and these
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Bigamist Prokofiev?
Sergei Prokofiev and Mira Mendelssohn
Dictatorial societies are notorious for fostering environments of suspicion and fear. It is always chilling to read Aleksandr Solzhenitsyn’s three-volume narrative The Gulag Archipelago. Solzhenitsyn relied on eyewitness testimony and primary research as well as his own experiences as a
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Sergei Prokofiev: Salvation for Modern Music?
It is somewhat surprising that Prokofiev’s earliest effort in the symphonic genre also became one of his most popular and most frequently programmed works. Composed in 1916/17, Prokofiev subtitled his Symphony No. 1 “Classical.” That nickname was apparently chosen to
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Lina and the Wolf
Sergei Prokofiev and Lina Codina
Sergei Prokofiev was one of the twentieth century’s most brilliant composers, and he definitely knew it. In fact, he was so confident in his musical abilities that he never attempted to conceal the more disagreeable aspects of his character or
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Sergei Prokofiev: Enfant Terrible
The piano was the prominent vehicle for Sergei Prokofiev’s musical expression. In the tradition of the great piano virtuosos of the 19th century, he was initially looking to impress his audiences with his considerable keyboard skills. Igor Stravinsky attended a
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