“Minors of the Majors” invites you to discover compositions by the great classical composers that for one reason or another have not reached the musical mainstream. Please enjoy, and keep listening!

In Ottorino Respighi’s 1923 comic opera Belfagor, the eponymous devil comes to a small village in Italy. This was Respighi’s fifth attempt at opera and we see him still struggling to get the correct coordination between the music and the

Nowadays composer Ethel Smyth is known less as a composer and more as a memoirist. Her multiple autobiographies are colorful windows into the musical life of the late nineteenth century. In 1919 she published Impressions That Remained, a book in

Sergei Bortkiewicz (1877-1952) described himself as a romantic and a melodist, and he had an emphatic aversion of what he called modern, atonal and cacophonous music. His musical style builds on the sounds and structures of Chopin, Liszt and the

“Minors of the Majors” invites you to discover compositions by the great classical composers that for one reason or another have not reached the musical mainstream. Please enjoy, and keep listening!

Of the three great impresarios of 19th century Italy (Domenico Barbaja, Alessandro Lanari, Bartolomeo Merelli), Lanari stands out as the one who commissioned the most operas that have lasted to this day: Gaetano Donizetti’s Lucia di Lammermoor and L’Elisir d’Amore,

The 2010 film “Mahler on the Couch” provided a fictional reconstruction—dressed up as a grand historical drama—of the famous therapy session involving Sigmund Freud and Gustav Mahler! We do know that the meeting actually did take place, but how did

Norwegian composer Eivind Groven (1901-1977) came from the province of Telemark and his love for the province drove his artistic sensibilities. He was a self-taught composer, was a performer on the willow flute, and was a legendary fiddler. He collected