Love

167 Posts
A Bird of a different feather!
Richard Strauss and Pauline Maria de Ahna
After sampling the sexual exploitations by some members of the Viennese Strauss family, it might be time to restore our faith in humanity—especially with Valentine’s Day around the corner—by taking a look at a different Strauss, namely Richard from Munich.
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Danubian Debauchery III
Analyze This
Johann Strauss II, Henriette Angelika Diettrich “Lily”, Henrietta “Jetty” Treffz and Adele Deutsch
Johann Strauss II Eine Nacht in Venedig (A Night in Venice) (1883) Kaiser Walzer (Emperor Waltz), Op. 437 (1889) Aufs Korn, Op. 478 (1898) Psychoanalytical models suggest that a human being, emotionally responding to the loss of a loved one,
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Danubian Debauchery II
(Like Father, like Son)
Johann Strauss II, Olga Smirnitskaya and Henrietta “Jetty” Treffz
Johann Strauss II Abschied von St. Petersburg (1858) An der schonen, blauen Donau (The Beautiful Blue Danube), Op. 314 (1867) Die Fledermaus (1874) I am not entirely sure who coined the saying “like father, like son”, but they certainly could
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Danubian Debauchery I
Johann Strauss and Maria Anna Streim
Johann Strauss Täuberlin-Walzer, Op. 1 Kettenbrücken-Walzer, Op. 4 “Homage to Queen Victoria of Great Britain”, Op. 103 (1838) “Radetzky March”, Op. 228 (1848) One would be hard pressed not to agree with the assessment of a contemporary music critic, who
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Tuberculosis, Tinnitus and other Tribulations
Bedřich Smetana and Kateřina Kolářová
By the summer of 1874, Bedřich Smetana (1824-1884) was fighting an apparently minor throat infection that resulted in a blockage to his ears. By September, however, he had lost all hearing in his right ear, and by October he was
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“A Match made in Heaven”
Faustina Bordoni and Johann Adolph Hasse
After merely two years in London, Faustina Bordoni departed for Venice. Exhausted from her petty quarrels with Francesca Cuzzoni, and tired of a feuding and bickering general public and musical establishment — which of course included Handel’s futile attempts at
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“The Queen amongst the Queens”
Faustina Bordoni, Francesca Cuzzoni and George Friedrich Handel
“She had a mezzo-soprano voice, that was less clear than penetrating. Her execution was articulate and brilliant. She had a fluent tongue for pronouncing words rapidly and distinctly, and a flexible throat for divisions, with so beautiful a shake that
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The Loft of Contention and Scandal
Charles Gounod and Georgina Weldon
In an interview, conducted by a special correspondent to the New York Times in London on 2 June 1874, Georgina Weldon defiantly declared “according to some authorities, an atmosphere of scandal is not only favorable to the development of musical
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