Unconscious bursts of creativity that engender significant artistic endeavors are not necessarily inspired by passionate romantic love alone. Greek mythology believed that this kind of stimulus came from nine muses, the inspirational goddesses of literature, science, and the arts. Muses were long considered the source of knowledge embodied in poetry, lyric songs and ancient myths. Throughout the history of Western art, artists, writers and musicians have prayed to the muses, or alternately, drawn inspiration from personified muses that conceptually reside beyond the borders of earthly love. True to life, however, composer inspiration has emerged from the entire spectrums of existence and being. Nature has always played a decidedly important role in the inspiration of various classical composers, as did exotic cities, landscapes or rituals. Composer inspiration is also found in poetry, the visual arts, and mythological stories and tales. Artistic, historical or cultural expressions of the past are just as inspirational as is the everyday: the third Punic War or the contrapuntal mastery of Bach is inspirationally just as relevant as are the virulent bat and camel. Composer inspiration is delightfully drawn from heroes and villains, scientific advances, a pet, or something as mundane as a hangover. Discover what fires the imagination of people who never stop asking questions.
Alexander Grechaninov displayed prodigious musical talents at an early age. However, his father was a barely literate tradesman who expected his son to follow in his footsteps. Against the clear wishes of his father but with financial support from his
According to his contemporaries, Johann Adolph Hasse (1699-1783) was one of the greatest masters of opera seria. Hasse had married the fabled Italian soprano Faustina Bordoni, and he specifically created the title role of his opera Cleofide of 1731 for
With his three last and largest tone poems – Ein Heldenleben (1897/8) the Sinfonia Domestica (1903) and Eine Alpensinfonie (1915) – Richard Strauss faced mounting criticism, charges of excess, megalomania, superficiality, and bad taste. For the eminent Richard Strauss scholar
The classic film noir Deception, starring Bette Davis, is a racy, classic tale of passion, jealousy, and lust for power. The romantic music written by Erich Wolfgang Korngold carries the movie. At the time, Korngold was an Austro-Hungarian Jewish refugee.
It’s a real treat, in these days of so much being available at the drop of an internet query, to find a recording of music that truly is rare. We heard the other day a recording of Johan Wenzel Kalliwoda’s
Christoph Willibald Gluck (1714-1787) was a prodigious musical talent. By age 13—entirely self-thought—he was a proficient vocalist and expert performer on the violin, cello, harpsichord, and the organ. Regrettably, his father, a successful and prosperous forester did not share his
Richard Strauss: Elektra In Greek mythology, Elektra is widely considered the most psychologically advanced Greek tragedy. The Greek dramatist Sophocles constructed a play that centers on the heroine’s obsession to avenge her father’s murder. Elektra lives in hope that her
Few characters have captured our imagination than Don Quixote, the befuddled knight—a pathetic, aging oddball who dreams of righting the world’s wrongs. The knight is the protagonist of Miguel Cervantes’ novel Don Quixote or ‘The Ingenious Gentleman Don Quixote of
