Unconscious bursts of creativity that engender significant artistic endeavors are not necessarily inspired by passionate romantic love alone. Greek mythology believed that this kind of stimulus came from nine muses, the inspirational goddesses of literature, science, and the arts. Muses were long considered the source of knowledge embodied in poetry, lyric songs and ancient myths. Throughout the history of Western art, artists, writers and musicians have prayed to the muses, or alternately, drawn inspiration from personified muses that conceptually reside beyond the borders of earthly love. True to life, however, composer inspiration has emerged from the entire spectrums of existence and being. Nature has always played a decidedly important role in the inspiration of various classical composers, as did exotic cities, landscapes or rituals. Composer inspiration is also found in poetry, the visual arts, and mythological stories and tales. Artistic, historical or cultural expressions of the past are just as inspirational as is the everyday: the third Punic War or the contrapuntal mastery of Bach is inspirationally just as relevant as are the virulent bat and camel. Composer inspiration is delightfully drawn from heroes and villains, scientific advances, a pet, or something as mundane as a hangover. Discover what fires the imagination of people who never stop asking questions.
The nice thing about going to an opera performance is that you get to have fictional dates with characters your mom would almost certainly disapprove of. Take for example Robert le diable (Robert the Devil), an opera in five acts
Tōru Takemitsu (1930-1996) fell in love with western classical music via American forces radio broadcasts during the post-war U.S. occupation of Japan. In fact, he “considered the radio as his first real teacher.” Almost exclusively focused on Western musical styles
The outstanding French pianist Pascal Amoyel takes on the chameleon-like Franz Liszt in this recording of the Harmonies poétiques et religieuses (S.173) in this two-disc set that also include the Ballade No.2 (S. 171) and the Liebestraüme, (S. 541).
Giacomo Meyerbeer first visited Italy in 1816. He only planned for a brief study tour, but in the event, it gradually extended itself to nine years! During that time, the composer produced seven operas, starting with the semi-serious Romilda e
If we look at Leonard Bernstein (1918-1990) we see a musician who came to embody the best of classical music. He was a conductor, most famously making his debut in 1943 with the New York Philharmonic Orchestra on a moment’s
Every summer, the “Intimacy of Creativity Festival” brings together aspiring composers and seasoned performers in Hong Kong. Emerging composers present and revise their work after in-depth discussions with world-renowned performers. The principle aim of this gathering is to rekindle the
The Romantic Violin Concerto Erich Korngold (1897-1957) was a modern composer with a Romantic touch. He is considered, along with Max Steiner (Gone with the Wind) and Alfred Newman (Wuthering Heights / How the West was Won) as one of
The composer Jacob Liebmann Beer (1791-1864), frequently described as the most successful stage composer of the 19th century, is more commonly known under his stage moniker Giacomo Meyerbeer. That name arguably represents the best combination of his parents’ names, Jakob
