What do you call the massacre of thousands of Huguenot Protestants by Catholic forces on St. Bartholomew’s Day, 1572? In artistic terms, you’d have to call it the most successful opera of the 19th century. When Meyerbeer’s Les Huguenots premiered
Giacomo Meyerbeer completed his opera Le Prophète in 1849. Based on the Anabaptist seizure of power in the 16th century, it details the elevation of John of Leyden as “the Prophet,” and culminates in a final cataclysm when John and
Giacomo Meyerbeer’s five-act opera Robert le diable premiered at the Paris Opera on 21 November 1831. It was the first of four works for which Meyerbeer was to become one of the most prominent composers of opera at the time.
The nice thing about going to an opera performance is that you get to have fictional dates with characters your mom would almost certainly disapprove of. Take for example Robert le diable (Robert the Devil), an opera in five acts
Giacomo Meyerbeer first visited Italy in 1816. He only planned for a brief study tour, but in the event, it gradually extended itself to nine years! During that time, the composer produced seven operas, starting with the semi-serious Romilda e
The composer Jacob Liebmann Beer (1791-1864), frequently described as the most successful stage composer of the 19th century, is more commonly known under his stage moniker Giacomo Meyerbeer. That name arguably represents the best combination of his parents’ names, Jakob