“Anecdotes and maxims are rich treasures to the man of the world.”
Johann Wolfgang von Goethe
The universe of classical music is jam-packed with musical anecdotes. Frequently these short narratives delineate subtle stories that highlight specific traits of a classical composer or a performer. Often humorous, anecdotes of classical composers don’t simply provoke laughter but can reveal a more general and subtle truth. We find Sophia Corri escaping her inattentive husband in an empty harp case, Beethoven being thrown in jail for vagrancy, and Rossini and Pavarotti both cooking their favorite meals. Napoleon gave free reign to his infatuation with an opera singer, Bach was challenged to a duel, and Frederick the Great had not only a great passion for music but also for a handsome Lieutenant in the Royal Guard. A musical anecdote is part of the process of telling a story, but it means sharing an experience with someone and not simply supplying him or her with information. And don’t worry, embellishment, exaggeration or fictitious invention are all part of the process. Anecdotes of classical composers impart the sense of a lived experience, as they usually involve real people in recognizable places and locations. In fact, musical anecdotes exhibit a special kind of realism and an identifiable historical dimension. Check back with us for more insightful and delightful musical anecdotes.
Joseph I Regina coeli Leopold I Sonata piena Laudate Pueri Johann Heinrich Schmelzer Arie per il baletto a cavallo: Corrente per l’intrada di S.M.C. Antonio Bertali Missa Sancti Spiritus Kyrie Gloria Credo Sanctus Agnus Dei Antonio Caldara Te Deum laudamus
Johann Jakob Froberger, Lamentation faite sur la mort tres douloureuse de Sa Majeste Imperiale, Ferdinand III Ferdinand III, Jesu Corona Virginum Lamentations — songs, poems or pieces of instrumental music expressing grief, regret, or mourning — represent some of the
Jean-Baptiste Lully Marche des Mousquetaires du Roy de France Trios pour le coucher du Roi For countless centuries, monarchs, royalty and nobility carried cognomens, that is, nicknames appended either before or after their real names. Frequently these monikers made reference
Hot on the heels of the shocking notoriety achieved with Parade, Jean Cocteau went to work on a surrealist spectacle entitled The Wedding Party on the Eiffel Tower. He described it as a sort of secret marriage between Ancient Greek
The Parisian café-concert established itself during the Second Empire as a standard diversion of the urban bourgeoisie and working class by providing a combination of dinner and song. Offering entertainment provided by strolling entertainers singing drinking-songs, along with refreshments at
Milstein and Heifetz are but two violinists comprising the golden age of violinists. A discussion would not be complete without including David Oistrakh, Fritz Kreisler, Yehudi Menuhin and Isaac Stern. Heifetz and his teacher Leopold Auer were viewed as traitors
Arnold Schoenberg Brettl-Lieder (excerpts) The French cabaret, around the turn of the 20th century, was much more then a simple place for drinking, dancing and entertainment. It was a gathering place for the artistic and literary elite that also served
In 1884/85, a wealthy patron of classical music named Jeanette Thurber set out to establish a uniquely American school of classical music composition. To accomplish this ambitious undertaking, she founded in quick succession the National Conservatory of Music of America