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Concert Overtures proved highly popular with 19th-century audiences. They frequently served, and still do, as musical appetisers for an evening of symphonic splendour. Concert Overtures are self-contained and communicate and carry meanings explained in the titles. As with all program
Composers have always been inspired by trains, and it’s easy to understand why: the rhythmic chugging of steam engines, the sweeping landscapes viewed from a train window, and the sense of adventure and nostalgia associated with rail travel… All of
The two concertos for piano and orchestra by Franz Liszt belong to the standard concerto repertoire. A serious challenge for every pianist, they have been audience favourites for well over one hundred years. As a critic wrote, “these concertos are
In a previous blog entitled “Beethoven (Concert) Overtures,” we examined the eleven overtures that Beethoven wrote for a variety of occasions and under different circumstances. We noted that the four overtures for various performances and versions of his opera Leonore/Fidelio
