When we think of the pairing of ‘Prelude and Fugue’ our mind first casts itself back to the early 18th century and Bach’s Well-Tempered Clavier. What if it’s 200 years later? It’s the Post-Romantic early 20th century and you can’t

There is something so undeniably cheerful about the first movement of Mendelssohn’s Symphony No. 4. It just sweeps you up and makes you look around and admire the glory and beauty of Italy. For Germans from the cold north, and,

Alexander Borodin (1833-1887) followed Balakirev and became a member of The Five, that group of up- and-coming young composers who set out to create a true Russian music. Holding down a day job as professor of chemistry, he was a

Polish-born composer and virtuoso violist Henryk Wieniawski (1835-1880) made his name early as a violinist and was an exceptional student at the Paris Conservatoire for two reasons. The first is that he wasn’t French and the second was that he

The Russian composer Mily Balakirev (1837-1910) had a fundamental place in changing Russian music from being too emulative of German music and making a strong case for it being Russian. Working first through the idea of nationalism, he instilled in

In their attempts to get beyond the symphony as defined by Beethoven, composers came up with new one-movement genres such as the concert overture. Sometimes regarded as a work in search of an opera, the concert overture gave composers the

As a welcome relief to the seemingly unending lines of poor operatic heroines who are victims of poor choices in lovers, relatives (fathers, brothers) who want to marry them off to inappropriate old men, etc., we have Camille and Alice,

The bandit leader Michele Pezza (1771-1806) defended his native Naples against the invading French using his native knowledge of the territory and his inadvertent army duty. Pezza, who had received the moniker of ‘Fra Diavolo’ as a child because he