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Forgotten Cellists: Guilhermina Suggia
Portuguese cellist Guilhermina Suggia (1885-1950) best-known for an iconic painting by Augustus John —a chestnut, luminescent cello, a beautiful woman in a dazzling, red gown, bow-arm outstretched, head upturned—was one of the first professional female solo cellists. The mystique surrounding
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Forgotten Quartets
Quatuor Calvet (1919-1939 & 1944-1950)
Before the age of recording, devotion to music was a full-time commitment. Composer Georges Bizet (1838-1875) would say: “Ah, Music! What a beautiful art – but what a wretched profession!”
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Piano Fantasies
The musical Fantasy (or Fantasia or Fantasie) has its roots in improvisation and rarely follows a strict musical structure (such as Sonata or Ternary form). In this respect the Fantasy is related to the Impromptu. The term was first applied
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Normalized Sexism in Music
In 2015, a student coming up to her A-level exams looked at the composers assigned for the music syllabus. 63 composers and all male. Jessy McCabe brought this to the attention of the Edexcel program and a month later, Ms.
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Opera gains a new fan
[Opera is] more than entertainment. Opera offers an insight into the complexities of the human psyche – it is a metaphor for, or an exposition, even, of our own personal dreams and nightmares… – Kevin Volans, composer Last week my
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Forgotten Cellists: Antonio Janigro
If you listen to the distinguished Italian cellist Antonio Janigro, and his pure, resonant sound in the Bach Suites, you’ll encounter a master of depth and perception. Such beautiful playing. One of the great artists of the twentieth century, cellist,
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Turning the Tables
They all die at the end, those poor opera women. Madama Butterfly kills herself, Tosca dies off the parapet of the Castel Sant’Angelo, and Carmen has a face-off with her former soldier lover.
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What do musicians do all day?
“What do you actually do?” and “What is your day job?” are all-too familiar questions to musicians. People are also endlessly fascinated about practising – “so how much practising do you actually do?” – and imagine we spend most of
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