Nothing came easy for Anton Bruckner, and habitually plagued by debilitating periods of low self-esteem, he was an easy target for music critics, journalists and composers alike. A particularly vicious critic accused him of “composing like a drunkard.” Given such

The appeal of Serge Diaghilev’s productions for the Ballets Russes is based on the novelty of Russian dance, and on its penchant for exotic subjects, many of them folkloric in nature. Igor Stravinsky scored a Parisian triumph for Diaghilev‘s troupe

With Robert Schumann teetering on the verge of yet another breakdown, his wife Clara sincerely welcomed her husband’s cello concerto. She confided in her diary, “I have played Robert’s violoncello concerto through again, thus giving myself a truly musical and

The Seven Deadly Sins was the final collaboration between two of the most revolutionary artists of Weimar Germany, Kurt Weill and Bertold Brecht. Premiered on 7 June 1933 in the Théatre des Champs-Elysées, Weill watched the declining German political and

David, first premiered in a concert version on 1 June 1954 in Jerusalem, is Darius Milhaud’s longest and most extensive work. The opera was composed at the suggestion of conductor Sergei Koussevitzky who was organizing a Festival to mark the

For a number of scholars, Karlheinz Stockhausen’s Gesang der Jünglinge (Song of the Youths) is “the first masterpiece of electronic music.” It was premiered in the large auditorium of Cologne’s Westdeutscher Rundfunk on 30 May 1956. The subject of the

When Léo Delibes (1836-1891) was asked by the head of the Paris Opéra to compose a 90-minute ballet score, he leapt at the opportunity. For Coppélia, premiered on 25 May 1870 at the Théâtre Impérial l’Opéra in Paris, Delibes crafted

With Europe spiraling towards a massive war that would eventually devastate the continent, Béla Bartók gave voice to the general sense of anxiety and foreboding by starting work on his only opera in 1911. The libretto for the one-act Duke