About Meet our contributors
Maureen Buja

Maureen Buja thumbMusicology has been what I love to do – I was one of those rare undergraduate musicology majors, then completed an M.A., M.Phil., and a Ph.D., all in musicology, and have taken those degrees to the max. I’ve worked in the field writing and editing, teaching and training new musicologists, and everything from academic to public musicology. Based in Hong Kong and Doha, I view myself as an international musicologist, going to opera productions in Bangkok and at Glyndebourne, to chamber music recitals in New York and Shanghai, and seeking new music in Vienna and the Middle East. Interlude brings the world of music to you and I’m very pleased to be part of this international project.

Contributed Posts
Mar 19, 2020 Playing With the Mirror
Strauss’ Till Eulenspiegels lustige Streiche
Mar 14, 2020 New from Old: Taneyev’s Prelude and Fugue, Op. 29
Mar 12, 2020 Prolonging the Pain – Jost’s Dichterliebe
Mar 7, 2020 The Bright Southern Lands: Mendelssohn’s Italian Symphony
Mar 5, 2020 The Nature of the Elements
Bruce’s The North Wind Was a Woman
Mar 2, 2020 Bach to Choir: Bringing Bach Into a New Century
Feb 29, 2020 The Weeping Mother – Boccherini’s Stabat Mater
Feb 27, 2020 Mixing Genres: Tsintsadze’s 24 Preludes for Piano
Feb 26, 2020 Invisible and Visible: An Interview With Roger Vignoles
Feb 26, 2020 The Range of Song – An Interview With Christoph Prégardien