About Meet our contributors
Maureen Buja

Maureen Buja thumbMusicology has been what I love to do – I was one of those rare undergraduate musicology majors, then completed an M.A., M.Phil., and a Ph.D., all in musicology, and have taken those degrees to the max. I’ve worked in the field writing and editing, teaching and training new musicologists, and everything from academic to public musicology. Based in Hong Kong and Doha, I view myself as an international musicologist, going to opera productions in Bangkok and at Glyndebourne, to chamber music recitals in New York and Shanghai, and seeking new music in Vienna and the Middle East. Interlude brings the world of music to you and I’m very pleased to be part of this international project.

Contributed Posts
Mar 27, 2020 Creating Anew for the World We Want
An Interview with Işıl Bengi
Mar 26, 2020 The Traveling Quartet – Chiayu’s Journey to the West
Mar 22, 2020 Gloomy Melancholy and Mocking Laughter: Debussy and Poe
Mar 21, 2020 Further Study: Saint-Saëns’ Étude en forme de valse
Mar 20, 2020 Welcoming Spring in Song
Delius: Four Old English Lyrics
Mar 19, 2020 Playing With the Mirror
Strauss’ Till Eulenspiegels lustige Streiche
Mar 14, 2020 New from Old: Taneyev’s Prelude and Fugue, Op. 29
Mar 12, 2020 Prolonging the Pain – Jost’s Dichterliebe
Mar 7, 2020 The Bright Southern Lands: Mendelssohn’s Italian Symphony
Mar 5, 2020 The Nature of the Elements
Bruce’s The North Wind Was a Woman