About Meet our contributors
Maureen Buja

Maureen Buja thumbMusicology has been what I love to do – I was one of those rare undergraduate musicology majors, then completed an M.A., M.Phil., and a Ph.D., all in musicology, and have taken those degrees to the max. I’ve worked in the field writing and editing, teaching and training new musicologists, and everything from academic to public musicology. Based in Hong Kong and Doha, I view myself as an international musicologist, going to opera productions in Bangkok and at Glyndebourne, to chamber music recitals in New York and Shanghai, and seeking new music in Vienna and the Middle East. Interlude brings the world of music to you and I’m very pleased to be part of this international project.

Contributed Posts
Feb 29, 2020 The Weeping Mother – Boccherini’s Stabat Mater
Feb 27, 2020 Mixing Genres: Tsintsadze’s 24 Preludes for Piano
Feb 26, 2020 Invisible and Visible: An Interview With Roger Vignoles
Feb 26, 2020 The Range of Song – An Interview With Christoph Prégardien
Feb 22, 2020 Watching the Caravan: Borodine’s In the Steppes of Central Asia
Feb 20, 2020 On the Cutting Edge of Technology
Schumann’s Concertstück, Op. 86
Feb 15, 2020 The Temperate Virtuoso – Wieniawski’s Polonaise Brillante No. 2
Feb 13, 2020 At The Beginning: Mahler’s Symphony No. 1
Feb 10, 2020 An Interview with Jessica Zhou, Boston Symphony Orchestra
Feb 8, 2020 Tower of Destruction – Balakirev’s Tamara