July, 2014

34 Posts
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‘It’s not that weird – honest!’
The How and Why of The Hermes Experiment
‘So, I’ve got a rehearsal later.’ ‘What for?’ ‘Hermes.’ ‘What’s that?’ ‘The Hermes Experiment. It’s a quartet – harp, double bass, clarinet, and soprano.’
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Thomas Larcher: What Becomes
A Padmore Cycle: IV. Familie Numero drei From Thomas Larcher: What Becomes (2014) Released by Harmonia Mundi Thomas Larcher: A Padmore Cycle: IV. Familie Numero dreiThomas Larcher’s sound world is both original and captivating in its fusion of contemplative harmonies
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Saved by “Cleopatra”
Handel-Mattheson Duel
Can you imagine a musical universe without performances of the Messiah, Samson, Jephta, the Water Music and Music for the Royal Fireworks? These highly popular compositions might never have existed in the first place, because George Frideric Handel got into
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Famous Musical Fathers and Sons
Musical Dynasties
Paul and Yan Pascal Tortelier Sons frequently follow in their father’s footsteps. Sons of Maestros often end up waving batons like the Tortelier family. I was always a fan of Paul Tortelier the French cellist, conductor and composer. He played
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Hino Nacional Brasileiro
Hino Nacional do Brasil (National Anthem of Brazil) FIFA limits the songs to only 90 seconds in order to get the games up and going, but most national anthems are longer than that; the Hino Nacional Brasileiro is no exception.
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Johann Mattheson
A Composer, Scholar and a Gentleman! Take for example Johann Mattheson (1681-1764), a prolific composer, singer, organist, writer, lexicographer, diplomat, and music theorist. Born in Hamburg as the third, and only surviving son of a local tax collector, Mattheson displayed
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Reach Out, Freak Out?
There’s a storm brewing in classical music. The quandary: #1 how far are we willing to go to achieve reaching out? Can we pursue change without freaking out our musicians and loyal concert attendees? #2 how do we remedy the
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Death to the Diva
Gluck and the Reform Opera
According to his contemporaries, Johann Adolph Hasse (1699-1783) was one of the greatest masters of opera seria. Hasse had married the fabled Italian soprano Faustina Bordoni, and he specifically created the title role of his opera Cleofide of 1731 for
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