August, 2012

20 Posts
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My Father’s Cello
Max Bruch Kol Nidrei, Op.47 Israel Philharmonic Orchestra / Daniel Barenboim Jacqueline Du Pre After the Second World War, my parents escaped from their native Hungary to Munich. At that time refugees had to go to Munich in order to
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Mozart in London II
During his initial stay in London, which lasted from 23 April 1764 through 1 July 1765, young Wolfi regaled in the invigorating and stimulating musical environment offered by the British capital. A rapidly prospering and growing middle class not only
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Attila the Hun, the Merciful
Verdi: Attila The conversation should have gone in another direction. After all, how often are you in the presence of Attila the Hun, and live to tell the story. Instead, when speaking to the legendary Italian bass Ferruccio Furlanetto, all
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Extra, Extra: Daniel Stern tells all!
Franz Liszt and Marie d’Agoult III
Franz Liszt Annees de pelerinage, 2nd year, Italy, S161/R10b In the second volume of his “Years of Pilgrimage” (Deuxième année: Italie), Franz Liszt musically recalls some of the emotionally fulfilling days traveling in the company of his lover Marie d’Agoult.
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Elgar : The Dream of Gerontius / Cello Concerto
Elgar: Cello Concerto in E minor, Op.85 – Adagio Jian Wang, cello Sydney Symphony Vladimir Ashkenazy, conductor From Elgar : The Dream of Gerontius / Cello Concerto (2011) Released by ABC Classics Elgar: Cello Concerto in E minor, Op.85 –
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Daniel Gottlieb Steibelt
Harp Concerto Sonata for 2 organs in G major During the first half of the nineteenth century, the piano became all the rage as a powerful and expressive concert instrument as well as the parlor instrument par excellence. Technical changes
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Gustav Mahler: Symphony No. 4 (1899-1901) / Willem Mengelberg: Concertgebouw Orchestra, 1939
Gustav Mahler Symphony No. 4 in G major The notated musical score requires not only realization, but also interpretation. In many cases, conductors will work with composers to clarify certain passages or to obtain a sense of musical meaning. However,
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In touch with Han Feng
From the stunning red backdrop that opens Anthony Minghella’s Madame Butterfly, first staged at London’s ENO (2005) and then at The Met (2006), it is perfectly natural for dazzled audiences from worldwide to imagine the most complicated setting of the
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