Schubert

109 Posts
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Franz Schubert’s “Swansong”
We still don’t know exactly where the idiom “Swansong” actually originated, but presently we use it to mean a last effort or final production coming from someone in a respective field before retirement, or sometimes, death. It is probably most
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Schubert’s Moments Musicaux
A Distinct Soundworld in Microcosm
Published in 1828, the year Schubert died, and written between 1823 and 1828, the six Moments Musicaux (literally “musical moments”) are amongst Schubert’s best-loved works for piano and are as accessible to the competent amateur pianist as they are to
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The Ferment of Life: Schubert’s Last Piano Sonatas II
Alfred Brendel describes Schubert as “a sleepwalker”, yet in his final three sonatas, we see Schubert’s innate sense of musical geometry and his bold treatment of traditional sonata form. These are tightly-organised woks with almost perfectly-balanced structures, perhaps most obviously
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The Ferment of Life: Schubert’s Last Piano Sonatas
Ignored for years, their composer regarded as Beethoven‘s poor relation, Schubert‘s last three piano sonatas now enjoy a special place in the piano repertoire, ranking alongside Beethoven’s final three piano sonatas, and they hold a particular fascination for pianists, audiences,
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Schubert: The Grazer and The Wanderer
The musical Fantasy (or Fantasia or Fantasie) has its roots in improvisation and rarely follows a strict musical structure (such as Sonata or Ternary form). In this respect the Fantasy is related to the Impromptu (a genre favoured by Schubert).
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At the Center of the Musical Universe
Franz Schubert V
Franz Schubert composed his set of six German Dances in October 1824 for his piano student Countess Caroline Esterházy. Everybody knew that Schubert was deeply in love with his 18-year old student, and a number of compositions were the direct
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At the Center of the Musical Universe
Franz Schubert IV
Nobody composed variations like Austrian composer Franz Schubert! An undisputed master of the genre, his variations on his own melodies became a fascinating combination of formal innovation and musical poetics. Peeling away layer upon layer of significance and meaning, Schubert
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At the Center of the Musical Universe
Franz Schubert III
In all, the remarkable collection of Schubert’s Lieder transcriptions by Franz Liszt totaled 58 songs. Liszt first handed twelve of these piano transcriptions to a Viennese publisher in 1838 and his concluding efforts emerged 10 years later in 1848.
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