Full of optimism, Wolfgang Amadeus Mozart arrived in Vienna in 1781 ready to make his mark on the Viennese musical scene. By sheer coincidence he was introduced to the Baroness Martha Elisabeth von Waldstädten. She was thirty-seven at that time

Wolfie Mozart loved his little violin and hated trumpets! At least that’s what Andreas Schachtner tells us in a series of letters written to Constanze after the composer’s death.

I first heard this work live about ten years ago, at a concert given in London by the American pianist and noted Mozart scholar Robert Levin. Played on a fortepiano, whose relatively modest voice spoke so elegantly, from the opening

“Minors of the Majors” invites you to discover compositions by the great classical composers that for one reason or another have not reached the musical mainstream. Please enjoy, and keep listening!

The Austrian Emperor Joseph II was crazy about Italian opera buffa! And since he had the required resources and lots of taxpayer money, he simply went ahead and founded a new opera company in 1783. Since the Emperor took his

In 1780, in order to join the new opera company set up by Emperor Joseph II, Wolfgang Amadeus Mozart started writing a new German opera on the then-popular theme of rescue of enslaved Europeans from Muslim pirates. Mozart wrote about

Symphony No. 35 in D Major, K. 385, “Haffner” (arr. J.N. Hummel for flute, violin, cello and piano) I. Allegro con spirit From MOZART, W.A.: Symphonies Nos. 35, 36, 41 (2015) Released by Naxos Mozart: Symphony No. 35 in D

“Minors of the Majors” invites you to discover compositions by the great classical composers that for one reason or another have not reached the musical mainstream. Please enjoy, and keep listening!