“…I don’t play for the audience, I play for myself, and if I derive any satisfaction from it, then the audience, too, is content.” Sviatoslav Richter (1915-1997) 20th March 2015 marks the centenary of the birth of Sviatoslav Teofilovich Richter.

He looks like he should still be at school, yet he plays with the commanding presence, exceptional technical facility and deep commitment a professional artist thrice his years would envy. He’s floppy haired, slightly built, yet he can bring power

‘The Quality of the Moment’ Sat in a Piccadilly coffee shop, I catch Sunwook Kim just before he heads off to Switzerland to play Beethoven’s first piano concerto with the Orchestra della Svizzera Italiana.

In the waning days of 2020, Covid-19 has claimed the life of Fou Ts’ong, the original Chinese poet of the keyboard and the first internationally acclaimed Chinese soloist. He was an introspective interpreter, who lived his life in the greatest

“It is no coincidence that the literature of ‘original compositions’ for four hands is limited to this period….its true master is Schubert.” Quoted from Theodor Adorno’s article, “Four Hands, Once Again.” Music for piano four hands came to popularity almost

Born in Moscow, the Russian pianist Nelly Akopian-Tamarina carries on an illustrious line of Russian Romanticism going back to Anton Rubinstein and Franz Liszt. A connoisseurs’ artist, she excels in repertory for which she has received the highest international recognition.

The Geneva International Music Competition is one of the world’s leading international music competitions, alternating between several main disciplines every year. Prizewinners include some of the world’s best artists, including Arturo Benedetti Michelangeli (piano), Pamela Bowden (voice), Heinz Holliger (oboe),

The musical Fantasy (or Fantasia or Fantasie) has its roots in improvisation and rarely follows a strict musical structure (such as Sonata or Ternary form). In this respect the Fantasy is related to the Impromptu. The term was first applied