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40 Posts
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Brahms and His Late Piano Works
Klavierstücke Op.118
Dedicated to Clara Schumann, Brahms’ Klavierstücke Op.118 were written in 1893 again at Bad Ischl during his summer sojourn and are probably his most well-known opus nowadays. Julius August Philipp Spitta, a German musicologist, wrote to Brahms after receiving the
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Forgotten Pianists: Heinrich Neuhaus
The noise of the new so often pushes the old out of our sight that often it’s a good idea to go back and see what we might have missed or forgotten. Today, we’re looking at the influential Heinrich Neuhaus.
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David Kadouch
Generosity, Openness, and Freedom Having just landed from a whirlwind trip to Aspen, David Kadouch grabs a couple of days of respite before heading to Hong Kong this month to perform Saint-Saëns’ second Piano Concerto with the Hong Kong Sinfonietta,
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Meet the Artist…… Kajeng Wong, pianist
“I design my programmes according to what I want to say as a person” Ahead of the Hong Kong Music Series in London this July, Frances Wilson interviews maverick pianist and director of Music Lab, Kajeng Wong.
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Reflections on the Leeds Piano Competition in 2021
Murray Perahia: Winner in 1972 Since its inception, the Leeds International Piano Competition has attained a highly respected reputation as the “most coveted prize in the piano world and internationally acclaimed for introducing some of the greatest pianists of our
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Sooner or Later? Tempo Rubato
What Is the Meaning and Use of Rubato? Tempo rubato in music – literally “robbed” or “stolen time” in Italian – refers to a subtle slowing or speeding up of tempo. It is most closely associated with the music of
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4 hands 1 keyboard
Music for piano duet
The piano duet – four hands sharing one keyboard – was once an important part of musical activity, to be enjoyed at home and in the cultural salons of Europe during the 19th and early 20th centuries, and in more
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Musings on Schubert
To start with, I have to confess that although I have long been fond of Schubert, he hasn’t been among my “favourites” (if such a term is appropriate). Somehow, I have found a barrier between Schubert and me that prevented
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