Anton Stepanovich Arensky (1861-1906), born in Novgorod 160 years ago, never considered himself a musical rebel. He was not particularly interested in musical folklore or Russian musical identity, but rather combined his native musical influences with a much more cosmopolitan
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“Pepi (Josef) is the more gifted of us two; I am merely the more popular…” When it comes to dynasties in classical music, it’s difficult to upstage the Viennese Strauss family. They were musical megastars of international reputation whose dance
Opera for the People I’ve got a bit of a tongue twister for you today. Try to say the name of the composer Francesco Ezechiele Ermenegildo, Cavaliere Suppé-Demelli rapidly five times. Fortunately, the composer under consideration shortened his professional name
“Art begins where technique ends” The Hungarian-born violinist, conductor and educator Leopold Auer (1845-1930) counted Jascha Heifetz, Nathan Milstein, Mischa Elman, Efrem Zimbalist, and numerous other great musicians as his students. In fact, he is rightfully referred to as the
“Music Exists to Elevate Us Above Everyday Existence” In 2020 we celebrate the 175th birthday of Gabriel Fauré (1845-1924). Rightfully considered the most advanced French composer of his generation, his highly personalized musical style, reflected in soulful modal melodies and
“Not runs for the sake of runs” Henry Vieuxtemps (1820-1881) was undoubtedly one of the greatest violinists of his time, combining superb technical command with a deep musical understanding. As a performer he was praised for his “flawless and expressive
Practice what you Preach The Russian composer and critic Alexander Serov (1820-1871) never held an official position, he never taught a student, and he never belonged to any organized group or faction. Regardless, he was one of the most significant