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The Sound of the Night: Chopin’s Nocturne, Op. 9, No.2
Best-Known Chopin Music: Nocturnes for the Piano At age 20, Frédéric Chopin composed one of his best-known nocturnes for the piano, the iconic Chopin music. Nocturnes were brief piano works that were inspired by the night. It was Chopin who
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The Noise of War: Smetana’s Wallenstein’s Camp, Op. 141
Bedřich Smetana (1824-1884) synthesized his native Czech music with the larger Classical tradition. He’s best known today for his opera The Bartered Bride and his massive 6-part symphonic poem Má vlast. Smetana was the 11th child of a brewer who
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The Bright Spark of a Brief Life: Boulanger’s Du fond de l’abîme
French composer Lili Boulanger (1893-1918), younger sister to the famous composer and teacher Nadia Boulanger (1887-1979), was ill most of her short life, but at her death, age 24, she had achieved much that would change modern French and international
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Three Dances in One: Sullivan’s Overture di Ballo
The same year composer Arthur Sullivan (1842-1900) met dramatist W.S. Gilbert (1836-1911), he wrote his Overture di Ballo, which, as one scholar suggested, might be better titled A Dance Overture. Before his famous collaboration with Gilbert, Sullivan was an up-and-coming
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The Unheard Serenade: Wolf’s Sérénade italienne
The Austrian composer Hugo Wolf (1860-1903) was a superb song composer, bringing the late Romantic lied into the modern age and, with it, imbuing the lied with a new conciseness that was more a hallmark of Schoenberg’s Second Viennese School.
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Further Study: Saint-Saëns’ Étude en forme de valse
Camille Saint-Saëns (1835-1921) made his piano recital debut at age 10, audaciously telling the audience that he would perform any one of Beethoven’s 32 piano sonatas as an encore. Liszt considered him as the greatest organist on earth. Over some
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New from Old: Taneyev’s Prelude and Fugue, Op. 29
When we think of the pairing of ‘Prelude and Fugue’ our mind first casts itself back to the early 18th century and Bach’s Well-Tempered Clavier. What if it’s 200 years later? It’s the Post-Romantic early 20th century and you can’t
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The Bright Southern Lands: Mendelssohn’s Italian Symphony
There is something so undeniably cheerful about the first movement of Mendelssohn’s Symphony No. 4. It just sweeps you up and makes you look around and admire the glory and beauty of Italy. For Germans from the cold north, and,
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