French pianist Anne Queffélec graduated from the Paris Conservatoire and then extended her studies in Vienna under teachers Paul Badura-Skoda, Jörg Demus and Alfred Brendel. She went on to win the Munich and Leeds piano competitions. You heard her in

“Playing a concerto with orchestra is the utmost gift a pianist can receive!” Ahead of his Hong Kong Sinfonietta début under Gabor Kali in Beethoven’s Piano Concerto No 3, French pianist François-Frédéric Guy talks to Frances Wilson about influences and

Cellist Sophie Webber’s new album carries the unusual title of Escape. No, this isn’t music of the balmy islands of the Caribbean; these are the Bach solo cello suites, which many would regard as emblematic of a more straitened outlook.

Starting in 2016, the ‘Festival du Bruit qui Pense’, founded by pianist Ingmar Lazar, started on its unique journey. Mr. Lazar’s vision rested on the communication between the arts. Over the three days of his upcoming festival (March 23-24-25), there

What could be better than one harpist? —nine-hundred and fifty-seven harpists! Of all ages and backgrounds, they descended upon Hong Kong in July, to attend this years’ thirteenth World Harp Congress—the first time the congress has been held in Asia.

This summer, as part of the Hong Kong Music Series in London, the European première of the chamber opera “Datong: The Chinese Utopia” will take place on 27 and 28 July at the Richmond Theatre. Presented by the Hong Kong

Pianists Nancy Loo and Mary Wu will be collaborating as a duo alongside a stellar line-up of Hong Kong musicians for the first concert, ‘Musical Interflow’, of the Hong Kong Music Series in London. Interlude spoke to the two musicians

Classical composer Fung Lam and jazz guitarist Teriver Cheung teamed up with architect Anthony Lai to give us Hong Kong Episodes. The original 12-episode version received its premiere in Hong Kong in October 2015. With the 12 episodes, each could