The Salzburg music festival’s new director Markus Hinterhaeuser boldly outlined the motto of this year’s program as ‘power’: “strategies of power, its disgraces and horrors, but also with the ability to forgive.” With this bold declaration Hinterhaeuser possibly tried to

There was little to commend the new production of Mozart’s Don Giovanni at the Aix-en-Provence Festival 2017. The stage set lacked any recognizable theme, and the intermittently raised and dropped metallic curtains offered no discernible purpose. Ditto on the costumes

This summer, as part of the Hong Kong Music Series in London, the European première of the chamber opera “Datong: The Chinese Utopia” will take place on 27 and 28 July at the Richmond Theatre. Presented by the Hong Kong

George Bizet’s The Pearl Fishers (Les Pȇcheurs de Perles) is a work of such notorious boredom that is it easy to understand the decision of the Berlin Staatsoper (still in its temporary home in the Schiller Theater) to spice it

The hottest day in the United Kingdom in nearly 30 years. The day of the Queen’s Speech. And the hottest ticket in town was for opening night of the Royal Opera House’s new production of Giuseppe Verdi’s Otello, featuring German

In his farewell production after a six year tenure as Director of Opera at Covent Garden, Kasper Holten managed a veritable hat trick. He turned Wagner’s notoriously overlong opera (at nearly five hours it is possibly the longest single opera)

Consider; opera based on text of XIX century with music of the same period produced and sang in Israel, a country reeling in inner battles; the ultra religious (haredim) against the institutions, the mitnahalim (settlers) against everybody, the right and

Successfully performing Siegfried, the third and least accessible opera of Richard Wagner’s Ring Cycle, cemented the growing reputation of the Hong Kong Philharmonic for this demanding material. The orchestra was in outstanding shape, comfortably cruising between the lyrically heart-wrenching passages