Clara, Ludwig, or both? Robert Schumann (1810-1856) had one of the most fascinating and varied biographies of all the nineteenth-century German composers. Forced by his guardian to study law, he rebelled against its pharisaical quibbling at age nineteen and moved

Niccolo Paganini Niccolo Paganini (1782 –1840) was an Italian virtuoso violinist and composer who loved playing tricks during his performances. To impress his audience, he would sometimes tune one of his strings a semitone higher, and at other times he

The transitional period between Bartolomeo Cristofori’s pianoforte designs of the 1720’s and the essentially modern-day instruments produced by John Broadwood, Ignaz Pleyel and Sébastien Érard around the turn of the 19th century not only coincides with the approximate lifetimes of

This July, Taiwan’s National Symphony Orchestra – renowned for tackling heavy German fare – switched gears to buoy Opera Australia’s mostly minimalist production of Madama Butterfly. It worked: despite being the ostensible “B” cast the evening I went, the stage’s

Regarded by the Times as having ‘passion, precision, warmth, a gold blend’, the Jerusalem Quartet was founded in 1993. Since then, it has been active in the international music scene, performing worldwide and collaborating with renowned performers like Mitsuko Uchida,

Frederick the Great and his greatest Obsession Frederick II, of Prussia, subsequently known as Frederick the Great, was the eldest surviving son of Frederick William I and Sophia Dorothea of Hanover, the sister of George II of England. Daddy Frederick,