The solo violin has long been acknowledged as the perfect instrument to express emotions like love, longing, heartbreak, rapture, and romance. The Romantic era lasted from the early nineteenth century to the early twentieth century and produced numerous works that
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Johann Mattheson July 16th, 2014 A Composer, Scholar and a Gentleman! Take for example Johann Mattheson (1681-1764), a prolific composer, singer, organist, writer, lexicographer, diplomat, and music theorist. Born in Hamburg as the third, and only surviving son of a local tax collector, Mattheson displayed -
Reach Out, Freak Out? July 15th, 2014 There’s a storm brewing in classical music. The quandary: #1 how far are we willing to go to achieve reaching out? Can we pursue change without freaking out our musicians and loyal concert attendees? #2 how do we remedy the - Death to the Diva
Gluck and the Reform Opera July 14th, 2014According to his contemporaries, Johann Adolph Hasse (1699-1783) was one of the greatest masters of opera seria. Hasse had married the fabled Italian soprano Faustina Bordoni, and he specifically created the title role of his opera Cleofide of 1731 for - Heroic Self
Richard Strauss: Ein Heldenleben, Op. 40 (1897/8) July 13th, 2014With his three last and largest tone poems – Ein Heldenleben (1897/8) the Sinfonia Domestica (1903) and Eine Alpensinfonie (1915) – Richard Strauss faced mounting criticism, charges of excess, megalomania, superficiality, and bad taste. For the eminent Richard Strauss scholar -
Conservatoire de Paris July 13th, 2014 The prestigious Conservatoire de Paris is the next stop on our Music College world tour. Alexandre Pansard-Ricordeau, the director of communications, talks to me about the strong links this conservatoire has with both the musical life of France, and further -
Alma’s Tenth Symphony July 12th, 2014 In the summer of 1910, Gustav and Alma Mahler once more made their way to Toblach for their annual summer routine. Their personal relationship, however, was becoming severely strained. Much of the marital discontent can be traced back to the -
FAIL! – Onstage kind! July 12th, 2014 Before we enter that hallowed space—the concert stage— there are the ritual last minute precautions—men: fly zipped, check; women: hooks and buttons fastened especially in the front, check; string players: extra strings, check; oboe and bassoon players: good reeds soaking - From TV to the stage with Owen Wingrave July 11th, 2014 Britten: Owen Wingrave, Op. 85 A TV opera? Yep, it happened… Back in 1971 to be precise, when Benjamin Britten wrote Owen Wingrave for the BBC. The opera was taken from TV-land and given a live revival this summer, to
