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Ten Excerpts from Robert Schumann’s Love Letters to Clara
The love story between Robert and Clara Schumann is often regarded as one of the most romantic in classical music history. Happily for historians, many of their love letters survive. They document their inner thoughts and emotions, as well as
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  • Coming at Wagner from a Different Direction Coming at Wagner from a Different Direction
    We associate Wagner with gloriously large orchestral sounds, with complex stories, and magnificent singing. It’s interesting, however, when we hear Wagner’s operatic writing from the viewpoint of the keyboard and in this recording by French pianist Wilhem Latchoumia, he shapes
  • Why there’s no Fairy Godmother in La Cenerentola Why there’s no Fairy Godmother in La Cenerentola
    Who doesn’t know the story of Cinderella? The tale of a young girl tormented by stepsisters, who with the help of her fairy godmother, pumpkin carriages and glass slippers, goes to a ball and marries the prince. But is it
  • Debussy’s New Vision of an Old Standard Debussy’s New Vision of an Old Standard
    When we think of a musical piece called a ‘Prelude,’ we think of the monumental series of Preludes and Fugues by J.S. Bach, or, more adventurously, Chopin’s 1838 series of 24 Preludes, Op. 28. When the French composer Claude Debussy
  • Raphaël Pichon and the Ensemble Pygmalion Raphaël Pichon and the Ensemble Pygmalion
    Baroque music arguably suffers the most when it comes to its perceived stuffiness. In the world of historical performance practice, many retreat into the dark corners of the library, poring over dusty treatises to debate the authority of the way
  • The Dog Ate My Music — Excuses For Not Practicing The Dog Ate My Music — Excuses For Not Practicing
    The dinosaur ate my homework. The dog ate my homework. The computer ate my homework. Through the ages teachers have heard extremely convincing excuses to not do their work. Dear music pupils: Don’t tell me you’ve practiced when you haven’t.
  • Streetwise Opera Streetwise Opera
    Amongst the wealth of operatic activity in the UK today (as surveyed recently on Interlude), the work of Streetwise Opera stands out as some of the most important. Founded in 2000, they have worked with London’s homeless on a number