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Ten Excerpts from Robert Schumann’s Love Letters to Clara
The love story between Robert and Clara Schumann is often regarded as one of the most romantic in classical music history. Happily for historians, many of their love letters survive. They document their inner thoughts and emotions, as well as
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  • Connecting the Dots—When Piano Rolls Were the Rage Connecting the Dots—When Piano Rolls Were the Rage
    A few days ago, we were invited to an historic home on a nearby lake, a rambling manor that had been in one family for generations. Inside we encountered sensory overload—antiques, and collectibles, decades-old toys, hundreds of books, silver sets,
  • By the Light of the Silvery Moon By the Light of the Silvery Moon
    The turn of the 20th century saw a surprising number of Moon songs. It also saw the first amusement park devoted to the moon: Luna Park in Coney Island, New York. That original Luna Park, which opened in 1905, was
  • How the Classical Music Experience Is Changing How the Classical Music Experience Is Changing
    Many modern orchestras are focusing on the audience experience today. In the United States and several other countries, you can go to a concert hall to hear a symphony orchestra and they will encourage you to clap between movements if
  • Upset by Einaudi? Upset by Einaudi?
    What is it about Ludovico Einaudi and his music which provokes such strong reactions from so-called “serious” classical music people? His music is regularly criticized by these people for being “bland”, “unchallenging”, “unsophisticated”, or simply “bad”… Einaudi’s musical language is
  • Clara Wieck-Schumann Clara Wieck-Schumann
    “I once believed that I possessed creative talent” Clara Schumann née Wieck, (1819-1896) was born in Leipzig, daughter of Marianne and Friedrich Wieck. Friedrich established a successful music business, and Marianne was a gifted musician appearing as a piano and
  • Musicians and Artists : Virgil Thomson and Maurice Grosser Musicians and Artists : Virgil Thomson and Maurice Grosser
    The American composer and critic Virgil Thomson (1896-1989) believed in the ‘discipline of spontaneity.’ His music aimed at a clarity and simplicity that was unusual in 20th century composers. One of the outcomes of this search for spontaneity was his