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Ten Excerpts from Robert Schumann’s Love Letters to Clara
The love story between Robert and Clara Schumann is often regarded as one of the most romantic in classical music history. Happily for historians, many of their love letters survive. They document their inner thoughts and emotions, as well as
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Spotlight

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  • The Musician’s Honesty The Musician’s Honesty
    A great deal is said and written about “integrity” and “honesty” in musical performance. For most people, this means respecting the score by following the composer’s markings and attempting, as far as possible, to interpret the composer’s intentions in the
  • Forgotten Cellists: Pál Hermann Forgotten Cellists: Pál Hermann
    Let Forbidden Music Sound Again Another cellist and composer whose name we should not forget is Pál Hermann. Born into a middle-class family in Budapest, Hungary in March of 1902, he showed great talent and audacity even as a child.
  • Enchanted by Dante Alighieri Enchanted by Dante Alighieri
    Dante Alighieri’s “Divine Comedy” contains 14, 233 lines of text divided into three main sections, “Hell, Purgatory, and Paradise.” As we might well imagine, there isn’t much music in Hell. It reverberates with “sighs, screams and lamentations, and different tongues
  • Great Performers: Sir András Schiff Great Performers: Sir András Schiff
    A consummate musician, with a ferocious intellect, András Schiff is one of the greatest pianists of our time – indeed of all time – acclaimed in particular for his interpretations of the keyboard music of J.S. Bach and the Viennese
  • Perceiving Music Perceiving Music
    This article addresses the elephant in the room; music genres. And questions the whole concept of labelling art and music. For starters, let’s stop talking about classical music, jazz music, popular music, folk music, and let’s try to perceive music,