Interviews

237 Posts
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Manuscripts and Technology
An Interview with Nicholas Kitchen of the Borromeo Quartet
Founded in 1989 by students at the Curtis Institute for Music, the Borromeo Quartet has grown over the last decades into a quartet of power and assurance. Of interest in the past few years have been their explorations of the
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The Boston Symphony at Tanglewood from the Manager’s Perspective: Mark Volpe Interview
In 1936, the Boston Symphony’s first program in the Berkshires took place under an enormous tent, with Maestro Serge Koussevitzky at the helm. Fifteen thousand people heard the venerable ensemble in the gorgeous setting but far from ideal venue. Koussevitzky’s
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Finding the links between music and memory: in touch with Roxana Haines
We live in a world with an ageing population. One of today’s most pressing issues is how best support, engage and care for the elderly, particularly those with physical and mental disabilities. And while debate usually revolves around political, social
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Connecting with Proust: A Conversation with Steven Isserlis
Cellist Steven Isserlis will be in Hong Kong in October as part of his Asian tour through South Korea, China, and Japan. The entire Asian tour has been entitled ‘Proust and Music’ and in a recent conversation with the cellist,
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Nobody Does It Better: An Interview with Graham Ross
Although the title of this piece seems to reflect an overarching ego, viz James Bond, it’s meant more of a statement about the Choir of Clare College, Cambridge. Interlude spoke with the CCC’s Director of Music, Graham Ross, in a
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A Piece Whose Time Has Finally Come
Pianist Sarah Beth Briggs was asked to play a piano reduction of Hans Gál’s Cello Concerto when her friend Antonio Meneses was working on it and was so impressed with Gál’s orchestral writing that she asked her producer, Simon Fox-
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A Musical Language Beyond Words: An Interview with Anne Queffélec
Pianist Anne Queffélec (b. 1948) entered the Paris Conservatoire at age 16, winning the first prize for piano in 1965 and the first prize for chamber music in 1965, and those two fields have been the core of her performing
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Making the Music Come Alive:
An Interview with Anderson and Roe
Duo pianists Greg Anderson and Elizabeth Joy Roe have been performing together since meeting at Juilliard in 2002. Their solo piano careers have been augmented by their duo piano careers and their international touring schedule has brought them worldwide recognition.
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