In essence

1686 Posts
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Cathedrals in Sound
Composers’ Inspirations From Imaginary, Ruined and Monumental Cathedrals At the heart of every major European city is the cathedral. A cathedral is more than a mere church, it contains the cathedra, i.e., the seat of a bishop. A cathedral is
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Journeys to Fantastical Places: Offenbach’s Féerie Operas
In its attempts to be ever more spectacular and outrageous, French theatre began to explore the realm of the fairy (féerie) on its stages. Adding elements of the supernatural to any plot expanded its possibilities – flying through the air!
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Messaien’s Light and Water Show
Fete des belles eaux for 6 ondes martenot For six months in 1937, Paris was the place to see the latest and greatest in ‘art and technology in modern life.’ In other words, the 1937 Exposition Internationale des Arts et
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The Wind, The Wind
Wind-Inspired Classical Music In depicting the meteorological phenomenon, one of the most interesting is the most invisible – the wind. It can be the gentle breeze of spring or the rough gales of winter, the cooling breeze of summer, or
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Stopping Time
Žibuoklė Martinaitytė’s Nunc fluens. Nunc stans
The Lithuanian composer Žibuoklė Martinaitytė writes under self-imposed strictures: for the piece here, she confines herself to the diatonic notes, the white notes, of the piano, with only rare movements onto the chromatic, black keys. Her time signs are confined
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Gazing at the Stars
Charles Koechlin: The Seven Stars’ Symphony
French composer Charles Koechlin (1867-1950) started life as an engineering student but poor health and poor grades made him give this up at age 22, he entered the Paris Conservatoire. He studied composition with Jules Massenet with his fellow students
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Food for Thought
Mealtime With Franz Liszt
Franz Liszt had a number of worldly vices, and alcohol, cigars, and cognac ranked high on that list. Mealtime with Franz Liszt invariably meant getting hammered! When he attended a banquet in Prague in 1846, Hector Berlioz was in attendance
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Camargo Guarnieri: Chôro and Concerto
The Brazilian composer Camargo Guarnieri (1907-1993) met the poet and musicologist Mário de Andrade in 1928. The student was already a composer and the poet was working on a theory, encapsulated in his book Ensaio sopra la Música Brasiliera (Essay
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