In essence

1709 Posts
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Antonín Dvořák and His Circle of Friends II
The fierce music critic Eduard Hanslick (1825-1904) became aware of Antonín Dvořák’s music when he was a member of the commission which offered state scholarships to impoverished young musicians. In fact, Hanslick was instrumental in furthering Dvořák’s career by taking
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Haydn and the Merry Widow
Joseph Haydn and Rebecca Schroeter
During his two London visits, Joseph Haydn was treated like royalty. As one of the most celebrated composers in Europe, he led highly successful concerts and composed a number of his best-known works, including his last twelve symphonies. With a
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Anton Rubinstein’s Persian Love Songs
The classical bilingual poet in Azerbaijani and Persian, Mirza Shafi Vazeh (1796-1852) was widely known as the “sage of Ganja,” the town of his birth. He initially studied Arabic and Persian but got expelled from school for questioning the arrogance
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Antonín Dvořák and His Circle of Friends
The traditional image of Antonín Dvořák (1841-1904) as a simple Czech fellow with a flair for composing symphonic and chamber music has recently given way to “one of a complex figure writing works filled with hidden drama and secret programs.”
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Victor Hugo’s Les Djinns
By Gabriel Fauré, César Franck and Louis Vierne
Victor Hugo’s 1829 poetry collection, Les Orientales, was inspired by the Greek War of Independence, where, between 1821 and 1829, the Greeks worked to overthrow the Ottoman Empire. Assisted by the British, the French, and the Russians, the Greeks overthrew
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Musical Double Takes II by Charles-Valentin Alkan, Johann Nepomuk Hummel & More
Charles-Valentin Alkan In our exploration of musical double takes—composers who wrote multiple sets of preludes and/or fugues in all major and minor keys—we have to honour one of the most enigmatic composers in the history of music. Charles-Valentin Alkan (1813-1888)
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Felix Mendelssohn and His Circle of Friends II
Mendelssohn was only 26 when he took up his appointment as Director of the Leipzig Gewandhaus in 1835. Mendelssohn was internationally famous, and Schumann, who had just founded the Neue Zeitschrift für Musik, was still struggling to find his way
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The Puzzle Dance
Igor Markevitch’s Rebus
The Russian–Italian–French composer Igor Markevitch (1912-1983) was a discovery of the choreographer-impresario Serge Diaghilev who commissioned a piano concerto from him when he was only 17. Markevitch had studied in Paris with Alfred Cortot for piano and with Nadia Boulanger
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