In essence

1709 Posts
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Looking Backward to Lament the Present
In the early 19th century, composers and performers started to look again at the music of earlier times. Choral societies around Germany started to look at the music of the Renaissance and Baroque, such as compositions by Palestrina and Carissimi
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Making Fun of Fluff
The composer and violinist Louis Spohr (1784-1859) is largely lost to us today but at his time, was as highly regarded a composer as Beethoven and, as a violinist, was compared to Paganini as a virtuoso.
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In Tennis, Love means Nothing!
Wilhelm Petersen-Berger (1867-1942) was a feared and controversial music critic for a Stockholm newspaper from 1896 to 1930. He hated the music of Arnold Schoenberg and his followers, and fought tooth and nail against the increasing influence of modernism in
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Tango Passion II
Astor Piazzolla and Amelita Baltar
With his marriage to Dedé Wolff in serious trouble, Astor Piazzolla was finding solace in the arms of other women. “I am now seeing a youngish lass, divine,” he told a friend. The affair with the “youngish lass” was short-lived
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Walking to Paradise
Frederick Delius’ opera A Village Romeo and Juliet leaves in a puzzle with the title – is this a tragedy of young love like Shakespeare’s Romeo and Juliet, or does the addition of ‘A Village’ make it something else?
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Tango Passion I
Astor Piazzolla and Dedé Wolff
Odetta Maria Wolff, affectionately known as Dedé, first laid eyes on Astor Piazzolla at a tea party in September 1940. She was not impressed at all, and found him “a rather ugly boy, round faced, who paid more attention to
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Muses and Musings
Salon Pauline Viardot
Pauline Viardot (1821-1910) was one of the most celebrated mezzo-sopranos of her time! During a remarkable career spanning almost a quarter of a century, she performed on the most prestigious stages around the world, and her distinguished interpretations decisively shaped
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Reconciliation through Music: Childhood Comics Come to Life
Ravi Shankar’s opera Sukanya receives its world premier with a four city UK tour in May 2017. The work is a collaboration between the Royal Opera House of Covent Garden and the London Philharmonic Orchestra. It takes as its subject
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