Unconscious bursts of creativity that engender significant artistic endeavors are not necessarily inspired by passionate romantic love alone. Greek mythology believed that this kind of stimulus came from nine muses, the inspirational goddesses of literature, science, and the arts. Muses were long considered the source of knowledge embodied in poetry, lyric songs and ancient myths. Throughout the history of Western art, artists, writers and musicians have prayed to the muses, or alternately, drawn inspiration from personified muses that conceptually reside beyond the borders of earthly love. True to life, however, composer inspiration has emerged from the entire spectrums of existence and being. Nature has always played a decidedly important role in the inspiration of various classical composers, as did exotic cities, landscapes or rituals. Composer inspiration is also found in poetry, the visual arts, and mythological stories and tales. Artistic, historical or cultural expressions of the past are just as inspirational as is the everyday: the third Punic War or the contrapuntal mastery of Bach is inspirationally just as relevant as are the virulent bat and camel. Composer inspiration is delightfully drawn from heroes and villains, scientific advances, a pet, or something as mundane as a hangover. Discover what fires the imagination of people who never stop asking questions.
It is difficult to make a living as a composer at the best of times. But when you are trying to make your mark at the peak of music’s history as a cultural form, your chances of success diminish significantly.
Just four days shy of his 70th birthday, Sergei Rachmaninoff died of melanoma on 28 March 1943 in Beverly Hills, California. He always wished to be buried at his estate in Switzerland, but the ravages of WWII only allowed for
Leonard Bernstein had always longed to write the Great American Opera. Yet, as it happens, he ended up writing the great American musical! In 1949, the theater producer and dance choreographer Jerome Robbins envisioned a modern adaptation of Shakespeare’s Romeo
Leonard Bernstein undoubtedly was one of the most supremely talented interpretive musicians of the 20th century. Yet his compositional talents, as Mstislav Rostropovich has argued, “are simply not on par with his abilities as an interpreter.” Leon Botstein, President of
As soon as Robert and Clara Schumann got married on 12 September 1840, they confided their most intimate thoughts and ideas to a shared diary. Topics ranged from mundane household matters to subjects of a rather intimate private nature, like
During its days of largest expansion and influence in the 17th century, the Ottoman Empire controlled much of Southeastern Europe, the Middle East and Northern Africa. Remaining a constant military threat to Central Europe over several centuries, Turkish troops famously
Sergei Rachmaninoff certainly knew a good tune when he heard it. But recognizing a good tune was simply not enough for him. He frequently took it apart and closely analyzed its contents before reassembling them in new forms and guises.
Kaikhosru Shapurji Sorabji (1892-1988) was an English composer and pianist who wrote some of the most unusual 20th century piano music. He maintained a tight control over his output, and, following a poor performance, he banned all public performances of
