As concert life begins to return to something resembling “normal” after months of silence – the result of government restrictions in response to the coronavirus pandemic – venues, promoters and indeed the performers themselves can do a great deal to
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Musicologists have suggested that “the life of Fanny Mendelssohn Hensel (1805-1847) is compelling proof that women’s failure to compete with men on the compositional playing-field has been the result of social prejudice and patriarchal mores, which in the nineteenth century
Creativity never ends! Our predecessors contributed a lot of fantastic musical compositions using what have become known as “standard” orchestral instruments. Our contemporary composers continue to build on this tradition. However, “folk” and “classical” music has become more blended in
Little known in the West, Vladimir Krainev (1944 – 2011) was an exceptional yet criminally underrated pianist and pedagogue. Born in Krasnoyarsk, Krainev displayed musical talent at a precocious age and gave his debut performance at 7 with piano concertos
George Frideric Handel premiered his opera Serse on 15 April 1738 at the King’s Theatre, Haymarket in London. The composer had decided on a semi-historical plot involving the hot-blooded Persian tyrant Xerxes. It is a rather complicated plot, typical of
Continuing our series, I’d like to focus on the cello music of three additional women composers, artists whom I’ve previously featured. Amy Beach, (1867-1944) is one of the first American woman to be recognized as a composer. Her ‘Gaelic’ Symphony,
Songs for Murdered Sisters (Margaret Atwood & Jake Heggie) On the morning of 22 September, 2015, a man went on a killing spree in Renfrew County, Ontario, murdering three ex-partners at their separate homes. Nathalie Warmerdam, the sister of baritone
I often explain how many — if not all — artists create; in my opinion, the saying that good artists copy and great artists steal should be admitted as common truth. While it is often well-hidden and sometimes resembles a