Blogs

214 Posts
How to Practice
A follow-up to my earlier article What Is Practice? Debussy: 12 Etudes – No. 1. Pour les cinq doigts (For the five fingers) No. 11. Pour les arpèges composés (For written arpeggios) “Practice Makes Perfect” is an over-used phrase, familiar
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2019’s Great Concerts in China
My first concert experience in 2019 began in Hangzhou, the provincial capital of Zhejiang province. There, at the crescent-shaped Hangzhou Grand Theatre by the Qiantang River, I celebrated the New Year’s Eve bells on December 31st, while attending the theatre’s
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What to Do When Screw-Ups Happen
After many decades of performing, one would think everything that could possibly go wrong has… Wrong! Or am I a magnet for snafus? Last month, my pianist and I drove the two hours to a University in a nearby town.
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Challenges for the Aging Musician
Playing a musical instrument is an amazing endeavor. It’s thrilling when a performance is everything we want it to be and the audience erupts in applause. If we’ve conveyed the beauty, meaning, and emotion of the music, and not the
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‘Sleep Practicing’ and Practicing Away From the Instrument
Do you ever think you might be practicing in your sleep? Yesterday I went to practice Debussy‘s prelude La cathédrale engloutie, which I’m preparing for a performance later in the year. The second section, when the waves start to roll
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A Guide to Music Appreciation
This article has been written in reaction to hearing “I don’t like this [enter instrument, genre, artist etc.]” too often. As a composer, diversity in music is equal to the painter’s, who constantly seeks for new colours, or the chef’s
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Love Is in the Music
Love has been an unfailing interest of mankind and an indispensable element of human lives. Love is much more than superficial attraction: at its best, love displays trust, commitment, longing, making sacrifices for the greater good. Yet on the flip
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Gaspard De La Nuit: Ravel’s Dark Fantasy
“Gaspard has been a devil in coming, but that is only logical since it was he who is the author of the poems.” – Maurice Ravel Considered to be one of the most fearsomely difficult pieces in the pianist’s repertoire
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