Did you know that years of music training can dramatically shape our brains? Those of us who spend many years practicing—repeating passages, mastering scales, and working on studies and repertoire—know that we not only become better musicians as a result.

After the quadrille had had its day, the waltz took the dance floors of Europe by storm. The title for the dance comes from the German meaning to revolve and that twirling motion was the primary characteristic of the form.

Rehearsing and Performing Film Music in Orchestral Concerts I look out across the audience from my seat on the stage of the Royal Albert Hall. The audience is slowly filling the building, couples holding hands, parents with young children, and…

I have recently been listening to a lot of Frédéric Chopin’s music, and I am constantly in awe of the unbelievable and imaginative sound world he was able to create. It is a world of incredible passion and of poetry,

Musicians’ Communicating Tricks During Performance When you glance out at an orchestra during a concert, what do you see? Bows moving up and down in (hopefully) perfect unison? Eyes moving between music stand and conductor? Wind players breathing and moving

Fanfares are a way of stating the obvious: a short ceremonial tune or a flourish on trumpets or brass instruments to introduce something or someone important. What happens when the fanfare becomes something else? Tobias Picker: Old and Lost Rivers

We were looking at a book of musical quotations the other day and found some things that make one so glad to have a sense of perspective. Here, John Gregory, writing in 1766 in his A Comparative View of the

A Musician’s View on the Differences Between Recording Music and Performing in a Live Concert Recordings are, by nature, performances in quite an unnatural environment. Microphones squat beneath you and leer over your shoulders, wires and cables snake around the