The opening scenes of the Irene Langemann’s documentary Die Martins-Passion (Martins’ Passion, 2004) are exquisitely adequate in presenting the life of Brazilian pianist Joao Carlos Martins: a grand piano is hoisted up dozens of floors outside an apartment building in

There is an illuminating – if difficult to verify – account that, during the French Revolution, the harpsichords of the Paris Conservatoire were dismantled and used for firewood. Such stories are, sadly, recurring themes in times of instability: proud intellectuals

Johann Sebastian Bach passed away 326 years ago, in July, so I thought what could have been better than starting my column here with the ‘Father of Music’, a composer with whom I have had a love-hate relationship. When I

Well, writing about the royal wedding – yes, the one with Will and Kate – seems a bit passé now, but I’m here to talk about the music, not the wedding itself. The day of the royal wedding, I was

I have been thinking more about the relationship between music and memory (which I first explored in my previous article) in two different areas, which has led me to two brief comments. Firstly, the role that forgetting plays in improvisation,

Brazilian children have a game called “wireless telephone”. Perhaps it is played all over the world, but this version is very simple: you sit next to each other in a circle and the first person whispers a message, a few

For me, Valentine’s Day is no more than an occasion for retailers to sell flowers and chocolates. But for lovers, I think every day can be Valentine’s, and a special thought, sweet message, or just a tender hug can be

Bach, the composer as intellectual by Marco Moraes   But all at once it dawned on me that this Was the real point, the contrapuntal theme; Just this: not text, but texture; not the dream But topsy-turvical coincidence, Not flimsy